The buzz around Anora has been immense, with critics and fans applauding it as a poignant, unforgettable drama. Yet, while the film is well-made, it doesn’t exactly break new ground. Anora is undeniably a good movie—but just that, nothing exceptional. The story and themes feel familiar, like a narrative that’s already been told a thousand times over. While it touches on classic themes of survival, morality, and transformation, its execution doesn’t quite elevate it to the ranks of this year’s best films.
And here’s where my take might diverge from popular opinion: I actually see the ending of Anora as a happy one. Most viewers seem to interpret it as tragic or bittersweet, yet to me, Anora’s choice to end up with the so-called “hitman” gives her something stable, maybe even redemptive. This character, while morally ambiguous, shows a surprising tenderness and sense of honor in small, symbolic ways throughout the film. In an unexpected twist, it’s his depth that makes the ending feel like a win for Anora, as she’s finally with someone who seems to care for her despite their shared flaws.
Ultimately, Anora is just that: a good movie. It’s well-acted, well-paced, and tells a story that resonates on a basic level. But it lacks that extra spark or originality that would push it into the realm of greatness. The emotional beats feel calculated, the plot predictable, and the themes recycled. If you’re looking for something solid to watch, by all means, give Anora a go. Just don’t expect it to stick with you long after the credits roll.
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